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It is time to discuss this aspect of publishing once again, in greater depth.
This a post is a variation from one I wrote many years ago. I will expound in detail on a wide variety of matters authors must consider before selecting a publisher. We have plenty of manuscripts coming in, so I am not hunting for more material. So what is driving me? Watching authors make clear "rookie" mistakes in choosing publishers that all but guarantee a mediocre (at best) product, low royalties (or no royalties--a couple publishers out there are crooks who do not pay), and a waste of years of hard work.
If you care about your manuscript, READ ON.  
-----
A Cautionary Tale: A well-known Civil War author worked on a Civil War biography for many years. In the
 early 1990s, he placed it with a well known university press. The press made a few demands, he modified his text accordingly, and 
that was it. There was little or no further input on anything else of real substance.
When
 the finished books arrived, he opened the box with eager anticipation. 
The first thing he saw was the dust jacket. It was, to use 
his adjective, "hideous." He skimmed through his labor of love and 
discovered the paper was heavy but cheap, and that advertised "cloth" was not 
cloth at all. The binding was also inexpensively done, and glue was 
visible between and around the signatures. He stuck the book on his shelf and, according to him, never opened it 
again. Five years of research and the disappointing finished product 
was something he would have to live with forever.
He was never offered a chance to see the jacket design or the interior design. 
But it did not have to be this way.
By
 this time, some of you are likely wondering why I am sharing a story 
like this. The answer might be posed as a question: Would you marry a 
girl you have never seen? Would you buy a car you have never driven? For most of us, the answer is obvious. And yet, authors often 
jump at the first press that says "yes" to their manuscript.
The
 acceptance minuet performed prior to signing a contract should not 
simply consist of a press accepting your manuscript, but must include a 
thinking author willing to "accept" the press--and all that entails. It 
is a bilateral arrangement, one both sides should enter with eyes 
wide open. It is, not to put too fine a point on it, a partnership (at 
least, that is how we think of it at Savas Beatie.)
If 
you have a manuscript ready, before you submit it to a publisher I 
strongly suggest a trip to the local bookstore (or to your own local or 
home library). When you find a publisher that produces books in your 
genre, study as many as you can with deliberate care. Pick them up, read
 them, feel them, sleep with one under your pillow.
Is 
it well designed? Does it have a dust jacket? Is the jacket 
professionally designed? Look at the flap credits and try to determine 
if the designer is an outside professional. Is the interior formatting 
pleasing, readable, and cleanly presented? Is the paper appropriate and 
of good quality? How is the binding? Tight and square, or loose and 
inexpensively done? If applicable, does this press use maps, photos, 
footnotes, or end notes? If so, are they plentiful, well done, and 
helpfully displayed? Is the text well edited? Generally speaking, look 
to see if the books by this press are reviewed positively or negatively 
by readers. Is the company brand (think r-e-p-u-t-a-t-i-o-n) strong and 
well respected within its publishing niche? Will the company give you 
the names of 3-4 authors and allow you to contact them?
Books
 are not an exact science; human eyes and hands create them. However, a 
good sampling of a publisher's titles will give you a strong sense of 
what your finished manuscript will look like.
The 
submission process is, in many respects, caveat emptor--buyer beware. 
When you go onto a car lot and open your wallet, you know whether you 
will be driving away in a Mercedes or a Chevy. If your eyes and ears are
 wide open, you will have a pretty good idea what your final product 
will look like before you sign on the dotted line.
--tps
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2 comments:
I am a new (hopeful) author and want to thank you for providing this information. Although I don't write on Civil War, I do read a lot in that genre and enjoy it and your books.
I look forward to reading the rest of the posts on this topic. Thank you.
Rick Bass
Ted, This is a great post. Buyer or author beware is good advice. Some people though work so hard to get a ms ready that when any publisher says yes they jump at the chance w/out doing their homework. My thoughts are that a book is forever and if you put your name on it, whether as an author or as a publisher, then make sure it is the best product that you can make it.
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